The Best Theme Songs of 2017 – The Best Anime of 2017 – Anime News Network

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Mike Toole

“Aozora no Rhapsody” by fhána (Miss Kobayashi’s Dragon Maid)

Simply essentially the most catchy piece of 2017’s groovy anime music scene is the start of “Aozora no Rhapsody”, the opening tune to Miss Kobayashi’s Dragon Maid. I am not essentially referring to the complete track, however simply the primary eight bars, during which a gleeful refrain hollers “Chu chu yeah! Please me!” over a whimsical strings riff. The remainder of the track is fairly good too, however that first half is completely instrumental. Er, I imply, it is essential.

See more: Top 10 anime ost 2017

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

James Beckett

“Umarun Taisou” by SisterS (Himōto! Umaru-chan R)

This ending earns its title as better of the 12 months for one easy cause: Each week, with out fail, I might watch Himōto! Umaru-chan R‘s closing credit sequence throughout to the tip, and I might take pleasure in each second of it. The track itself is a joyous celebration of the friendships that the second season of the present did such job of constructing on. The brilliant, poppy visuals spotlight all 4 of the primary ladies of the collection embracing their interior Himouto and succumbing to the candy temptation of simply collapsing in to consolation and rest. It is completely infectious, to the purpose the place I discover myself buzzing the chorus of “daradaradaradara” to myself every time I have to discover a second of zen. To have any ending theme stand out a lot for me is uncommon in and of itself; for a track to grow to be as a lot of a mainstay of the 12 months as this one had means its one thing particular, certainly.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Amy McNulty

“pretend city child” by UNISON SQUARE GARDEN (Blood Blockade Battlefront & Past)

Unison Sq. Backyard churns out nothing however catchy tunes on the subject of anime openings and endings, and this 12 months’s opening to BBB&B isn’t any exception. Although the English is a bit wonky firstly of the track, it is a catchy tune because the tempo builds, and the guitar riff simply makes it all of the extra toe-tapping. The visuals pop off the display and are choreographed effectively to the track’s rhythm. That is one opening I used to be by no means even tempted to skip every week.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Lauren Orsini

“Rapture” by Panorama Panama City (Juni Taisen: Zodiac Warfare)

Whereas the anime itself was a blended bag, the opening theme was an earworm from the primary episode. A slower track with a sonorous melody and an unrelenting drum beat, it rapidly discovered its method to my alt rock playlist for every day rotation. I do know I am not alone as a result of I’ve seen some really impressed covers of it on YouTube. And although I want to simply decide one track, the ending theme is price one other pay attention as effectively. I want the present itself had taken a cue!

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Rebecca Silverman

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“GO” by BUMP OF CHICKEN (Granblue Fantasy the Animation)

So that is the second 12 months in a row I’ve chosen the opening theme from a fantasy journey collection. There’s simply one thing about fantasy exhibits that appears to encourage songs that urge you to go on an journey, however the place my final 12 months’s decide, the opening theme to Tales of Zestiria the X, was rousing, BUMP OF CHICKEN‘s “GO” as a substitute gives the look of the consolation of lengthy travels with folks you want. It is a quiet journey track, extra a “stroll via rolling hills” than a “go kill the monster” vibe, and that fits Granblue Fantasy‘s extra laid-back really feel and the comfy group dynamic of its heroes. “GO” each matches the present and is a pleasant track in its personal proper.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Lynzee Loveridge

“Shinzou wo Sasageyo!” by Linked Horizon (Assault on Titan season 2)

Linked Horizon created one other ear worm this 12 months. It does not fairly attain the meme standing of “Guren no Yumiya” from the primary season, however lots of the components that made the primary so catchy are reprised for the season’s new theme. Refrain I can yell alongside to regardless of figuring out minimal Japanese? Verify. A swelling of instrumental and vocal pressure main as much as a giant second? Verify. Dinosaurs within the accompanying animation? Triple examine. The anime itself did not depart a lot of an impression on me regardless of the hype, however its opening track positively delivered the products.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Chris Farris

“The Different Facet of the Wall” by Void_Chords feat.MARU (Princess Principal)

Some anime wait till after the premier to fit the opening theme in, however Princess Principal properly included it within the very first episode. Together with the bombastic, one-of-a-kind English-language vocals within the track, what actually put this one over my different decisions (each Re:CREATORS intros) was the outstandingly-implemented visuals. It is a sequence that simply will get you pumped to look at the collection each time it begins, and contributes to the general superior ambiance of Princess Principal itself. Even when we by no means fairly discovered what that enormous lizard was all about.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Paul Jensen

“Aozora no Rhapsody” by fhána (Miss Kobayashi’s Dragon Maid)

The opening theme of Miss Kobayashi’s Dragon Maid was a unbelievable match for the type and tone of the collection. With a peppy track and a few splendidly bizarre visuals, the entire sequence was bursting on the seams with the identical quirky vibe that made the present so charming. The track can also be so rattling catchy that it will get caught in my head each time I take into consideration the present. And, after all, who can say no to a bunch of dancing dragons?

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Gabriella Ekens

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“Heikousen” by Sayuri (Scum’s Want)

For my OP/ED of the 12 months, I’ll have go together with this formidable little quantity crafted to ship off a present premised on plumbing the sexual neuroses of a bunch of squirrelly younger adults. Scum’s Want‘s ED, Sayuri‘s Parallel Line, captures the uncooked, untidy feelings of those teenagers together with her highly effective fraying vocals. The track’s lyrics emphasize their isolation, the all-consuming nature of their feelings, and their makes an attempt to seek out connection via shallow physicality. The visuals, in the meantime, are a kaleidoscope of yonic imagery. The characters’ our bodies meld collectively, spilling their insides in a fashion consultant of the present’s emotional content material. If you’d like your anime capped off with artsy little aesthetic workouts, Scum’s Want possesses the 12 months’s premiere instance of that.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Nick Creamer

“Rapture” by Panorama Panama City (Juni Taisen: Zodiac Warfare)

Wanting again, this hasn’t been a very spectacular 12 months for anime OPs. My prime crop are all roughly in the identical “stable OP, however not one thing I might return to” vary, from Kemono Associates‘ buoyant theme track to Ladies’ Final Tour‘s cheerful dancing. Total, I might say my favourite might be Jūni Taisen. The OP is not essentially essentially the most visually spectacular (although I admire each its frame-in-frame first half and well executed CG second half), however the total mixture of visuals and track at all times hyped me up and obtained me in the best mindset for an episode, which is finally top-of-the-line issues an OP can do. In a reasonably weak 12 months, Jūni Taisen kinda wins this one by default.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Theron Martin

“The Different Facet of the Wall” by Void_Chords feat.MARU (Princess Principal)

No nearer in 2017 made a lot of a long-lasting impression on me, however there have been quite a few nice and memorable openers. In the end I narrowed it all the way down to a toss-up between the jazz-infused, English-language opener for Princess Principal and the darkish, techno-styled “Jingo Jungle” by MYTH&ROID, which served because the opener for Saga of Tanya the Evil. Each had nice songs and wonderful visible shows, however the usage of all-original animation and extra perfectly-fitting lyrics finally tipped the dimensions within the favor of the previous.

The Best Theme Songs of 2017 - The Best Anime of 2017 - Anime News Network

Anne Lauenroth

“LET iT END” by SiM

It was a troublesome selection between ACCA: 13-Territory Inspection Dept.‘s Shadow and Reality by ONE III NOTES and Rage of Bahamut: Virgin Soul‘s first opening, LET iT END by SiM. Whereas the previous does an exquisite job at delicate foreshadowing and welcoming interpretation to a track oozing cool, the latter could not be farther from my sort of music. However that did not matter, as a result of there was hype – Bahamut was coming again! And LET iT END was solely involved with build up the hype in badass black, white, and purple. At that time, I used to be so excited to see the present making an surprising return that I used to be greater than glad to leap on the trendy hype prepare. Then Bahamut misplaced all its pleasure and deserted its character writing for the comfort of a plot that felt an increasing number of like one thing conceived on the again of a restaurant menu at 3 AM the evening earlier than. I select LET iT END as a result of I need my Bahamut hype again.

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