Pop music’s finest wasted no time stepping into formation this yr, with main releases from a galaxy of our brightest stars cluttering the calendar’s opening months. However even with so many established big names taking over area on the marquee, what actually made the final twelve months in pop particular was how additionally they discovered room for the lesser-known little guys; a Desiigner for each Drake, a Kiiara for each Kanye. Soundtracking a interval of seemingly limitless real-world disagreement and strife, these artists massive and small supplied us with uncommon moments of much-needed unity, ones all of us would’ve really wished to freeze time on. Listed here are the 100 pop songs that pulled us nearer in 2016.

(Notice: Songs have been thought of eligible for this checklist in the event that they have been both launched in 2016 or peaked on the Scorching 100 throughout that point — until they already appeared on our 2015 checklist.)

See more: Worlds top 10 music 2016

100. Meghan Trainor, “No”

After a long time of males singing to ladies they know “need it” on the dance ground, Meghan Trainor hits the membership and Ok.O.’s the entitled male ego with one easy phrase: “No.” This music is what occurs between “Expensive Future Husband” and really discovering that husband – you shut down a variety of bull. — JOE LYNCH

99. Flume feat. Kai, “By no means Be Like You”

An EDM apology of such staggering contrition that you just nearly really feel responsible for listening in on it, as visitor chanteuse Kai presents to “give something to alter / This fickle minded coronary heart that loves pretend shiny issues.” It sounds extra like your personal warped perspective on what the opposite particular person in a breakup should be pondering slightly than the precise different aspect of the story, however perhaps that’s why so many individuals appreciated it, because it turned Aussie producer Flume‘s first U.S. crossover hit this summer season. —ANDREW UNTERBERGER

98. Amber Coffman, “All to Myself”

Changing into one of many underground’s most acquainted and comforting voices because of her work in art-pop collective Soiled Projectors and visitor activates singles by EDM maestros Rusko and Diplo, Amber Coffman lastly achieved the titular independence with the beautiful nu-wop of her solo debut “All to Myself.” “Possibly if I step out, go get some solar / Possibly at the moment I’ll get one thing achieved” she croons tentatively ever a wonderfully syrupy electro-waltz, and it’s clear that the world is prepared when she is. — A.U.

97. Shura, “What’s It Gonna Be?”

If Carly Rae Jepsen hadn’t taken EMOTION SIDE B for her personal 2016 launch, Shura might have earned the title together with her supercharged set of synth-pop fireworks, Nothing’s Actual. “What’s It Gonna Be?” was the only and certain excessive level, a dizzying new-wave Tilt-a-Whirl, so exhilarating in its breathless questioning of whether or not or not the singer’s relationship is barely happening in her head that it nearly doesn’t matter whether or not or not it really is. — A.U.

96. Gucci Mane, “Waybach”

Legend has it that when Gucci Mane was launched from federal jail this Might after practically three years behind bars, it took him simply six days to document his comeback album, Everyone Wanting, along with his two closest producers, Zaytoven and Mike WiLL Made-It. So it is smart that one of many album’s standout tracks is a co-credit between the 2 beatmakers, with the rapper dedicating the hook to his friendship with every. “Waybach” pulses with swagger as Gucci matter-of-factly reclaims his crown whereas bestowing Zaytoven with the best honor in hip-hop: “I’d slightly rap a Zay monitor than a Dre monitor.” Experience it out. — DAN RYS

95. Britney Spears, “Do You Wanna Come Over?”

A throbbing, soda-popping and unmistakably menacing Pharrell beat places Britney Spears in Predator Mode on this Glory should-be-single, concurrently seductive and terrifying as Brit declares “No one ought to be alone in the event that they don’t must be,” not permitting for a ton of selection within the matter. Lord assist us all in case your reply’s no. — A.U.

94. Kings of Leon, “Waste a Second”

The primary single from Kings of Leon‘s WALLS served because the rock stars’ comeback declaration, and whereas its breeziness presents subtler thrills than the stadium bravado of “Use Any person” or “Intercourse On Hearth,” the loping bass, pounding drums and shout-along refrain show it a second price reveling in simply the identical. — TAYLOR WEATHERBY

93. Kelsea Ballerini, “Peter Pan”

After Kelsea Ballerini’s cutesy-by-comparison breakout single, the nation princess confirmed her extra susceptible aspect with a ballad telling of her issues with boyfriend immaturity. Her vocals are undeniably fairly, nevertheless it’s Ballerini’s songwriting that basically pierces via, together with her masterful use of the titular metaphor: “You’re all the time gonna fly away, simply because you realize you’ll be able to/ You’re by no means gonna study there’s no such place as Neverland.” — T.W.

92. Lil Yachty feat. Quavo, Skippa da Flippa & Younger Thug, “Minnesota” (Remix)

Undoubtedly the weirdest music to ever anchor a Sprite industrial, Lil Yachty‘s authentic falsetto-laden “Minnesota” was a lot inviting by itself. However the music’s remix, that includes a star trio of Yachty’s ATLien brethren, elevates the music to a brand new stratosphere of virality, Quavo particularly so overcome with the music’s oddball spirit that he can’t cease chirping: “I LOVE MY MOTOROLA!” — A.U.

91. Selena Gomez, “Fingers to Myself”

Breathy, attractive enjoyable, and Selena Gomez‘s quivering supply of the coy lyrics makes you actually consider she actually can’t let her arms keep idle. It additionally comprises fairly presumably the most effective throwaway line of the yr, the place she cleverly undercuts her personal oft-repeated refrain insistence: “I imply, I might, however why would I wish to?” — KATIE ATKINSON

90. Colleen Inexperienced, “U Coulda Been an A”

Ramones-esque sun-punk mixes with Automobiles-like new-wave sheen and Sesame Road-style alphabetics, and the mix is simply as elementally irresistible as any of its elements. There’s a purpose why not lots of people get away with carrying shades on a regular basis, and one more reason why Colleen Inexperienced — like her sunglasses-at-night predecessors Joey and Ric — can get away with no matter she rattling nicely pleases. — A.U.

89. In opposition to the Present, “Operating With the Wild Issues”

Punk band with an ear for pop… or pop band with punk instincts? It’s powerful to peg these YouTube stars-turned-world-touring dynamos throughout their Fueled By Ramen debut, however whereas In opposition to the Present‘s barnstorming opener to debut album In Our Bones has hooks to spare, it’s their rock aspect that leaves the chest-pummeling influence. — CHRIS PAYNE

88. Enrique Iglesias feat. Wisin, “Duele el corazón

Simply once you suppose nothing might match Enrique Iglesias‘ 2014 smash hit “Bailando,” he and Wisin drop the sultry pop-reggaetón monitor “Duele el corazón,” which had us hooked from the primary hear with its hummable riff and catchy, playful lyrics. Whether or not on the radio, on tv, or on YouTube, the Latin Grammy-nominated and chart-topping music was blasting all summer season lengthy. — GRISELDA FLORES

87. Tegan and Sara, “Boyfriend”

Right now in pop singles that ought to have been huge hits: After working with Greg Kurstin for parts of 2013’s Heartthrob, Tegan and Sara Quin staff with the producer for 10 shimmering synth-pop gems, together with this infectious story of being in a relationship that’s every little thing however public, topped off by a towering refrain. — KEVIN RUTHERFORD

86. Panic! On the Disco, “Victorious”

Chart-topping fifth album Demise of a Bachelor validated Panic! On the Disco’s choice to shed no matter remained of their pop-punk preciousness for the model of cacophonous turbo-rock they at the moment sport, and lead single “Victorious” is the LP’s most interesting showcase of the sort of arena-ready hooks and casually operatic vocals that will make frontman Brendon Urie’s idol Freddie Mercury proud. They’re the champions, my pal. — A.U.

85. Unders, “Syria”

Coming courtesy of Dutch DJ Unders (actual identify: Duncan Meulema), this Jap-influenced deep home gem commences with a lurking guitar line and woodwind drones, earlier than sidewinding into an infectious melodic groove halfway via. With Unders rising as a staple of freeform festivals like Burning Man (the place he made a ceremony of passage debut aboard the Robotic Coronary heart bus final yr) and Afrika Burn, it’s little marvel the eight-minute odyssey arrives playa-ready. — MATT MEDVED

84. Travis Scott & Younger Thug feat. Quavo, “Decide Up the Cellphone”

“Hotline Bling” with out cynicism. About two individuals faraway from a peak sing-rap posse minimize, Travis, Thugger, and Quavo share surprisingly romantic bars (“By no means will I cheat on you, by no means will I commit treason,” croons Jeffrey — a maxim Donald Trump would possibly be capable of study from) over a beat that’s each charmingly chaotic and snappy sufficient for radio. Within the age of “Black Beatles,” a messy rollout might need been the one factor that saved its Scorching 100 peak at a comparatively modest no. 43. — NATALIE WEINER

83. Børns, “American Cash”

“There’s no time to sleep, dwelling in a dream.” The sinewy Michigan rocker Børns, who broke out in 2015 along with his re-released glam anthem “Electrical Love,” adopted that up this yr with the seductive “American Cash,” a “great pleasure” of a ballad that was remixed, by AWAY, for a good richer expertise. — LESLIE RICHIN

82. YG feat. Nipsey Hussle, “FDT”

The yr’s most direct protest music would’ve risked over-simplification if not for the basic cartoonishness of its subject material — who may even be heard within the music’s early SoundCloud incarnation, through pattern, hoisting his personal petard. Launched earlier than most musicians appeared to even put collectively that this was an actual factor that was occurring, YG and Nipsey Hussle opened the floodgates for a torrent of anti-Trump agit-pop, however no one else might’ve stated it in addition to they did the primary time. — A.U.

81. Warpaint, “New Tune”

Over their three-album historical past, this Los Angeles quartet constructed a popularity for heady, hypnotic guitar music. However on this startling single — the lead minimize from their 2016 self-tiled album — the ladies of Warpaint additionally proved they might be hypnotically catchy, moreso than most of their indie-rock rivals managed to be in 2016. — C.P.

80. Låpsley, “Operator (He Doesn’t Name Me)”

Exhausting to determine what’s extra out of step with 2016: A dance music that eschews drops and trops for analog instrumentation and disco glitz, or one which pretends that dialing operators remains to be even a factor. Nonetheless, the throwback heartache of British diva Låpsley is so expertly charming — from a singer-songwriter who was barely alive for the film 54, not to mention the precise Studio — that it’ll really make you nostalgic for the sound of a busy sign. — A.U.

79. Anohni, “Drone Bomb Me”

You understand that factor the place you’re so responsible about your implicit culpability in a military-industrial complicated that indiscriminately kills harmless individuals by distant that you just nearly want you your self have been lifeless? No? Properly, you’ll after listening to Anohni‘s shimmering, beautiful electro-pop masterpiece, which finds brand-new ranges of magnificence in socio-political consciousness. — J. Lynch

78. Domo Genesis feat. Anderson .Paak, “Dapper”

It was an enormous yr for disco-adjacent rap (see: Mac Miller’s “Dang!” and Goldlink’s “Distinctive,” each additionally that includes — shock! — Anderson .Paak), however there was no extra jubilant 2016 train within the style than Domo Genesis’ breezy “Dapper.” Constructed on a pattern from Philly soul pillar Dexter Wansel, the music is however as vibrant because the Odd Future member’s native L.A. — when you’re not each smiling and dancing once you hear it, your audio system in all probability simply don’t have sufficient bass. — N.W.

77. Alessia Cara, “Scars to Your Stunning”

Physique-positivity anthems usually don’t get this darkish, however on “Scars To Your Stunning,” Alessia Cara isn’t afraid to speak chopping, tears and consuming issues, earlier than attending to the uplifting refrain, the place she delivers among the most empowering, horizon-expanding lyrics of this yr: “You don’t have to alter a factor / The world might change its coronary heart.” — J. Lynch

76. Mitski, “Your Finest American Lady”

If there’s an album that’s going to revive your curiosity in indie rock this yr, it’s Mitski’s Puberty 2 — largely resulting from its willingness to smash the tropes that’ve stagnated the style. On album centerpiece “Your Finest American Lady,” the half-American, half-Japanese songwriter ingeniously hijacks token fuzzy ’90s-alt guitars for her paean to coming to peace with by no means being somebody’s idealized sweetheart, and perhaps not even actually eager to. — C.P.

75. Bon Iver, “33 ‘GOD’”

That is what hanging out with Kanye West will get you: A fractured piano ballad that units up a call-and-response between Justin Vernon’s signature ghostly vocals and a malfunctioning robotic over blown-speaker beats, in a music whose title could or might not be a reference to Jesus’ age at his dying, with lyrics which might be inscrutable at finest. We’ll be unpacking this one for years; test and mate, Justin. — GIL KAUFMAN

74. Kevin Gates, “2 Telephones”

Why does Kevin Gates have two telephones, it’s possible you’ll marvel? And does he want two telephones, or, in actual fact, would possibly he want a good higher quantity? These long-burning questions are amongst these addressed on the rapper’s greatest hit to this point, which stacks three quick-witted Gates verses in between a sing-song refrain that’s each huge and undeniably informative. — JASON LIPSHUTZ

73. Jimmy Eat World, “Get Proper”

Positive, like some pop megastars, you liked “The Center” once you have been youthful, however Jimmy Eat World’s sturdy displaying on this yr’s Integrity Blues does every little thing in its energy to dissociate the band from the phrase “nostalgia.” “Get Proper” barrels together with chugging guitars and a howling Jim Adkins; it’s the sound of the Arizona band extra in contact with its early days than it’s been in ages. The massive distinction — their frontman certain wasn’t hitting these notes again in ’96. — C.P.

72. Tinashe, “Superlove”

Flashing again to the mid-’90s days when Miami bass funk combined with freestyle ingenuousness for impossibly candy dance-pop hits from the likes of Ghost Down DJ’s and INOJ, Tinashe hit the seaside for her sunniest single but, the sort of irresistibly heartbreaking summer-love music that pretends it will probably’t see fall coming across the nook. The truth that “My Boo” nonetheless managed to be an even bigger 2016 hit than this should’ve been fairly sobering for pop’s most undervalued star. — A.U.

71. JoJo feat. Wiz Khalifa, “Fuck Apologies”

JoJo‘s massive comeback this yr was greeted with “queen”-level adoration for good purpose: Her new album Mad Love was stuffed with the sort of diva-level vocals her followers remembered, each on epic ballads and flat-out badass grooves like this one. With its staccato guitar strut and JoJo’s enjoyably dry wit (“I might ask for forgiveness if I actually meant it”), “Fuck Apologies” might be a retort to a dishonest boyfriend, or a strike again at her former label overlords, nevertheless it doesn’t actually matter — it’s the, nicely, unapologetic tell-off all of us want we needed to throw within the faces of haters. — REBECCA MILZOFF

70. M83 feat. Mai Lan, “Go!”

As an alternative of making an attempt to high the arena-igniting 2011 single “Midnight Metropolis,” M83 mastermind Anthony Gonzalez turned away from mountainous ‘80s synths on this yr’s Junk and towards the tacky enchantment of retro FM radio. On “Go!,” Mai Lan presents a stuttering vocal efficiency that blooms on the disco-funked refrain, nevertheless it’s a Steve Vai guitar solo within the again half that makes this a profession spotlight. — J. Lipshutz

69. Kiiara, “Gold”

With Lorde (hopefully) nonetheless engaged on her much-anticipated second LP, Kiiara stepped in with the minimalist snap-pop jam of the yr — giving everybody “Royals” flashbacks, proper all the way down to the gold tooth. Nonetheless, not even Ella Yelich-O’Connor ever boasted a groove or refrain this chilly, with the booming simplicity of early Run-DMC and the tech-garbled vocals of prime Artwork of Noise. — A.U.

68. Flo Rida, “My Home”

Whereas there’s probably not a Flo Rida music in existence that doesn’t make you wish to throw a home celebration, he lastly actually made a music about one in 2016 – and due to the bumping piano-based hooks and unsurprisingly catchy refrain, now the urge is extra actual than ever. Generally you gotta keep in, particularly when Flo’s on. — T.W.

Editor’s Choice: Every Song on Drake&x27s &x27Scorpion&x27 Ranked From Worst to Best

67. Anderson .Paak feat. ScHoolboy Q, “Am I Flawed?”

West Coast singer/rapper/musician Anderson .Paak not solely scored options on six tracks from Dr. Dre’s 2015 Compton mission, however made joyful noise in 2016 along with his groovy sophomore effort Malibu. A spotlight from his newest LP was the ScHoolboy Q-assisted single “Am I Flawed,” a feel-good jam that finds the sleek headliner asking, “Am I fallacious to imagine that if she will’t dance then she will’t ooh?” The soundtrack to Google’s Pixel telephone advert, the body-moving quantity additionally peaked at No. 5 on Billboard’s Twitter Rising Artists chart in April. — ADELLE PLATON

66. Leonard Cohen, “You Need It Darker” (Paul Kalkbrenner Remix)

Leonard Cohen would possibly’ve been capable of take Berlin quite a bit earlier if he’d beforehand enlisted German techno producer Paul Kalkbrenner as his lieutenant, who throws black-light paint all around the funereal title monitor to the legendary singer-songwriter’s 2016 album right here, and takes him out for one closing spin on the dance ground. For an artist whose closing assertion might be downright overwhelming in its sense of mortality, it’s fairly gratifying to listen to that voice equally at house on high of a beat that crackles with life. — A.U.

65. Deorro feat. Elvis Crespo, “Bailar”

DJ Deorro grew up listening to, of all issues, Elvis Crespo, courtesy of his DJ dad who’d play the Dominican star’s high-voltage merengue at quinceañeras and weddings in Southern California. Quick ahead practically 20 years and you may hear once more why Crespo’s “Suavemente” was an enormous world hit that again within the day — even making it onto the Scorching 100. “Bailar” is a love letter to its supply of inspiration, starting with Crespo’s trademark, nasal name, then devolving into an irresistible dance beat that marries merengue to EDM. Over 4 million Shazams can’t be fallacious. — LEILA COBO

64. Bruno Mars, “24K Magic”

Working with funk vibes harking back to his current journey Uptown, Bruno Mars managed to create one other bonafide hip-shaker along with his first solo single since 2012. Whereas it hasn’t fairly but matched the “magic” that his Mark Ronson visitor flip had commercially, the equally infectious beat and James Brown-worthy vocal exhortations make this a fantastic party-starting backup. — T.W.

63. Gallant, “Speaking to Myself”

Gallant produced probably the greatest dbeuts of 2016, and a big a part of that has to do with opener “Speaking to Myself.” If its preliminary stilted piano line is what first grabs listener consideration, it’s the hovering hook that basically sticks within the mind and refuses to let go; it’s not till a number of listens later that the desperation and heaviness of the lyrics start to sink in. On such a lushly produced album, the usage of area and dynamics makes “Speaking to Myself” an outlier, and one of many simple highlights. — D.R.

62. Twenty One Pilots, “Confused Out”

For a definitively Millennial duo, it’s nonetheless loopy how a lot Twenty One Pilots‘ first true crossover smash largely reminds of enjoyably junky late-’90s bands like Citizen King and Bran Van 3000; alt-based acts who sprinkled in hip-hop influences and digital sensibilities to raised complain about how uninteresting their lives have been. After all most of these bands solely had one hit, the truth that “Confused Out” wasn’t even 21P’s solely No. 2 hit on the Scorching 100 this yr reveals how rather more proficient Tyler and Josh are at tapping into adolescent insecurity with blockbuster bombast. — A.U.

61. Beyonce feat. Jack White, “Don’t Damage Your self”

Top-of-the-line of the less-famous cuts from Lemonade, the Jack White-featuring “Don’t Damage Your self” is an attractive, primitive howl of Nashville grit. White’s signature sonic tremors and hisses — accents that, as he’ll undoubtedly inform you, solely come from recording on real analog gear — make it simple to overlook this Finest Rock Efficiency Grammy nominee is technically on a Beyonce pop album. — SHIRA KARSEN

60. Beck, “Wow”

Serving because the follow-up to Beck’s brightly coloured rocker “Goals,” the appropriately titled “Wow” is a sonic journey whose booming beat and half-rapped vocals take listeners again to the artist’s hip-hop roots. Bursting with warped hooks, the only is shocking and engaging sufficient to maintain followers entertained, as Beck’s upcoming album launch date continues to inch farther away. — LYNDSEY HAVENS

59. ScHoolboy Q feat. Kanye West, “THat Half”

The narcotically slurred and stuttered single from his Clean Face LP, “THat Half” is quintessential ScHoolboy Q, all the way down to the AutoCorrect-baiting capitalization of the title. However the TDE rapper correctly cedes the latter portion of the music to a peerlessly red-eyed flip from his star visitor, in full hanh mode as he compares himself to Kobe and Ice Dice and makes use of the most important ’90s scandal of 2016 to troll his personal partner: “Wifey gonna kill me / She the feminine O.J.!” — A.U.

58. Little Combine, “Shout Out to My Ex”

The women of Little Combine have been mere kids when the Spice Ladies’ “Wannabe” got here out, however the authentic purveyors of lady energy would doubtless approve of this snappy pop kiss-off. It’s a wise showcase for the foursome’s skills, with a vibrant, rhythmic intro recalling Little Combine’s a capella performances, earlier than constructing to a power-chord-pumped unison refrain that calls for to be sung on the high of 1’s lungs — ideally as a kick-off to an epic night time out. — R.M.

57. Sia feat. Miguel & Queen Latifah, “Happy”

Sia, Miguel and Queen Latifah could by no means be “Happy” on the Hamilton Mixtape model of this monitor, however we most definitely are with the outcomes. The dynamic manufacturing combined with the trio’s powerhouse vocals put a super-cool twist on the already phenomenal authentic. — ALEXA SHOUNEYIA

56. Main Lazer feat. Justin Bieber and Mø, “Chilly Water”

Capitalizing on their Grammy success with “The place Are U Now,” the dream staff of Justin Bieber and Diplo reunited to crash the highest 10 once more with this much-gentler EDM hit. It doesn’t pack the wallop of their Jack U drop, however between Bieber and Mø’s clean vocals and Diplo’s synth-horn breakdowns, there’s no denying that is nonetheless a complete banger. — T.W.

55. Kanye West, “Father Stretch My Fingers (Pts. 1 & 2)”

Intertwined with Desiigner‘s breakout smash “Panda,” Kanye West‘s bouncy gem “Father, Stretch My Fingers” was an area staple, and cemented Metro Boomin as probably the most reliable producer within the sport. From Desiigner’s ad-libs to the soulful gospel choir and Kanye’s AutoTuned plea to “simply really feel liberated,” the Lifetime of Pablo standout was a religious sound journey. — A.P.

54. Margaret Glaspy, “Feelings and Math”

Stripped-down and a bit grungy, this music’s lo-fi aesthetic belies simply how catchy it’s. It’s the title monitor off Glaspy’s 2016 debut album, and full of hooks and all-too-relatable lyrics (“I’m a lady appearing like a child”) that function the right template for his or her creator’s sudden and evocative voice. — N.W.

53. Chris Stapleton, “No one to Blame”

The musical equal of a victory lap, after Chris Stapleton‘s epic breakthrough on the finish of 2015 got here with a shock No. 1 album (Traveller) and whole CMA Awards domination. This yr, he cemented his place with two Grammy wins and this excellent blues-rock single — so you’ve gotten no one accountable however your self when you’re nonetheless sleeping on this nation troubadour. – Ok.A.

52. John Legend feat. Likelihood the Rapper, “Penthouse Ground”

John Legend is a variety of issues, however followers and skeptics alike can agree on one factor he’s not: funky. Properly, not less than he wasn’t — then he launched this ode to the high-life, pushed by Pino Palladino (bass) and Chris Dave (drums), the identical pair behind the grooves on Adele’s 21 and D’Angelo’s Black Messiah). The unshakable beat neatly offers Legend a bit room to stretch out, and never even a usually witty Likelihood verse can steal the present. — N.W.

51. Rihanna, “Kiss It Higher”

Been waitin’ on that sunshine, and RiRi positively brings it again with this electrifying ballad and early ANTI climax. Whether or not you’re preparing for an evening out or simply Netflix and chillin’, this mid-tempo, unhealthy gal gem was positively a go-to monitor for 2016. — A.S.

50. Phantogram, “You Don’t Get Me Excessive Anymore”

Love because the drug was already an overused metaphor again within the days of Roxy Music, however New York duo Phantogram pulled a narco bait-and-switch with this sample-heavy goth-pop single’s heavy-lidded refrain: “Used to take one/ Now it takes 4/ You don’t get me excessive anymore.” What sounds (and feels) like a music concerning the preliminary rush of ardour fading into dead-eyed boredom is, in keeping with them, concerning the numbing results of predictable popular culture and their seek for a brand new sort of drug — through which case, 4 definitely looks as if quite a bit. — G.Ok.

49. James Blake feat. Bon Iver, “I Want a Forest Hearth”

The fusion of James Blake’s dreamlike manufacturing and Bon Iver’s chilling vocals end result on this haunting monitor, off Blake’s shock 2016 album The Color In Something, which reached No. 36 on the Billboard 200. The already emotive music grows much more dense in direction of its finish as each instrumental and vocal vigor improve, finally engulfing the entire manufacturing. — L.H.

48. Kungs vs. Cookin’ on 3 Burners, “This Lady”

The horn blasts that function the de facto refrain to this blazing, U.Ok. smash remix of a forgotten 2009 soul-pop gem sound like an invading armada, trumpeting its personal arrival to crash U.S. pop’s high 10 — although someway, “This Lady” was finally held at No. 26 on the Scorching 100. Irrespective of: Kungs and Cookin’ on 3 Burners will simply must soundtrack a kickass boat celebration in pop’s worldwide waters as a substitute. — A.U.

47. Daya, “Sit Nonetheless, Look Fairly”

Given the reactionary political local weather, we are able to not less than discover solace in a teenage lady unabashedly blasting anybody “dreaming of picket fences and trophy wives” on her second solo single and scoring a high 40 hit within the course of. The catchy whistling and handclaps don’t harm, both. — J. Lynch

46. J Balvin feat. BIA and Pharrell, “Safari”

J Balvin‘s “Safari” is the sort of music that you just by no means tire of listening to. Whereas the Colombian singer is understood for his reggaetón tracks, the infectious beat of this reggae-infused tune clearly stands out from the remainder of Balvin’s album, Energía. And gotta admit, listening to Pharrell sing in español is an actual deal with. — G.F.

45. Likelihood the Rapper feat. Kanye West & Chicago Kids’s Choir, “All We Acquired”

The leadoff batter in Likelihood the Rapper‘s Cubs-like Coloring E book lineup, Chancellor rapidly ensures you don’t confuse “All We Acquired” with some light-weight singles hitter: “This ain’t no intro, this the entrée.” Shortly swelling to incorporate an earthquake of synth-bass blasts and a swarm of flitting trumpets, an Auto-Tuned Kanye reveals up within the midst of the largesse to sum up the explanation for the season: “Music is all we bought / So we’d as nicely give all of it we bought.” Championship or bust in 2016. — A.U.

44. DNCE, “Cake By the Ocean”

Joe Jonas’ group took a music about mainly nothing, put a blistering pop-funk beat behind it, added some main scream-along hooks, and emerged with a high 10 smash to rival something little bro has produced on his personal. Even when you nonetheless can’t get previous DNCE‘s seaside-dessert logistics, you realize this music has made you wish to throw a seaside celebration not less than as soon as. — T.W.

43. Angel Olsen, “Shut Up Kiss Me”

Indie-rock auteur Angel Olsen gained’t take no for a solution on her most single-ready launch but, and though she could not get what she needs romantically, the clingy urgency of the refrain — in addition to its relentlessly driving guitar strums — can’t be ignored. — Ok.R.

42. Shawn Mendes, “Deal with You Higher”

Former Vine star Shawn Mendes was decided to make an early soar into singer-songwriter maturity with second album Illuminate — and its chart-busting lead single, the tightly coiled ode to romantic frustration “Deal with You Higher,” definitely did the trick. Nonetheless, regardless of all Mendes’ claims to being the “gentleman” his meant deserves, he doesn’t attempt to conceal the adolescent petulance the scenario has him diminished to, sounding like a 12-year-old preventing along with his brother as he shouts: “I do know I can deal with you higher / Higher than he can!“ — A.U.

41. DJ Snake feat. Justin Bieber, “Let Me Love You”

Fairly presumably the sweetest, most romantic EDM hit of the last decade, with DJ Snake‘s lush manufacturing offering the right basis for Justin Bieber’s pleading lyrics. We bought a style of what Bieber might do over a dance beat final yr, and his work with Snake and Main Lazer in 2016 made his standing as a fixture within the digital world official. – Ok.A.

40. David Bowie, “Lazarus”

“Lookup right here, I’m in heaven.” David Bowie‘s doubtless closing present to the Scorching 100’s high 40 — by no means say by no means with the Skinny White Duke — is as otherworldly as you’d hope, a dubby, sax-soaked, between-mortal-coils transmission that feels like its artist coming to peace with one thing, if solely simply his clumsiness along with his cellphone. “Ain’t that identical to me?” he asks rhetorically, as if the remainder of us caught on this aspect of the cosmos might ever hope to completely perceive. — A.U.

39. The 1975, “A Change of Coronary heart”

Synth-pop sophistication worthy of OMD or Prefab Sprout, all the way down to the quietly devastating lyrics about what occurs when hungry eyes get overfed: “You used to have a face straight out of {a magazine} / Now you simply appear like anybody / I simply had a change of coronary heart.” As narcissistic and inconsiderate as any younger particular person in a relationship, 1975 frontman Matt Healy is finally absolved by the group’s pulsing, respiratory backing monitor, assuring him he’ll stay to bounce one other day. — A.U.

38. Miranda Lambert, “Vice”

Whether or not you select to consider Miranda Lambert‘s double-disc The Weight of These Wings is her breakup album or not, the album’s first single oozes extra alcohol-fueled darkish ideas and unhealthy selections than complete LPs from a few of her contemporaries. “It’s gone earlier than it ever melts the ice/ One other vice,” she sings in her bass-heavy lament about “the place the numb meets the lonely.” Nashville wasn’t certain the way it felt concerning the polarizingly blunt music chronicling the sometimes-messy means this girl offers with heartache, which doubtless suited Lambert simply tremendous. — G.Ok.

37. Zayn, “Pillowtalk”

Expectations have been sky-high for the primary single from One Route’s first member to go solo, and by breaking away from shiny pop-rock, new R&B disciple Zayn Malik delivered. “Pillowtalk” is a basic instance of grown-up little one star screaming “I’m having intercourse now!” right into a microphone, however the single convincingly smolders throughout its drum-heavy hook, and Zayn’s quivering proclamations of “seeing the ache, seeing the pleasure” efficiently break him freed from his boy-band roots – and launched him to the highest of the Scorching 100 earlier than any of his former bandmates. — J. Lipshutz

36. Fats Joe & Remy Ma feat. French Montana & Infared, “All of the Approach Up”

Fats Joe and Remy Ma introduced again the Terror Squad glory days of 2000s New York hip-hop with their anthemic hit “All The Approach Up,” co-starring Infared and French Montana. The infectious hit not solely soundtracked graduations and had appearing legend Samuel L. Jackson singing alongside on the 2016 BET Awards, it additionally soared to No. 9 on the Scorching R&B/Hip Hop Songs chart, because of a remix from a often low-key Jay Z. — A.P.

35. Woman Gaga, “Million Causes”

Woman Gaga’s energy ballad “Million Causes” speaks to a common human ache, to make the identical errors but once more within the fairy-tale hope that the end result will lastly go our means this time, since it will be so candy in the event that they did. They gained’t, in fact, and her traffic-stopping vocal supply completely encapsulates our eager for the not possible. — RENA GROSS

34. Justin Bieber, “Love Your self”

A muted, beatless breakup ballad whose common saltiness ensures it’s now positively too late for Justin Bieber to ask for forgiveness, “Love Your self” turned the yr’s greatest Scorching 100 hit on the energy of basic I’m-not-obsessing-you’re-obsessing lyrics like “I didn’t wanna write a music/ ‘Coz I didn’t need anybody pondering I nonetheless care/ I don’t.” However slightly than come off because the gentleman protesting an excessive amount of, the music’s impressively relaxed vibe ensures that it’s simply sufficient — Bieb and buddy Ed Sheeran merely stating the details, whereas the trumpet solo takes care of the remainder. — A.U.

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33. Justin Timberlake, “Can’t Cease the Feeling!”

In contrast to the suave R&B Justin Timberlake channeled with The 20/20 Expertise, he went straight for the disco finish of the dance ground on his chart-conquering Trolls soundtrack contribution. Even when you can someway handle to cease the sensation, the rhythm is finally gonna get you to bounce, dance, dance to this one. — T.W.

32. Drake feat. Rihanna, “Too Good”

Drake hit the jackpot with the dancehall sound of “One Dance,” however the addition of Caribbean queen Rihanna on this dueling duet takes his island vibe to the subsequent degree. Don’t be fooled by the Views monitor’s sunny beat, although: These two ought to actually break up, in the event that they know what’s good for them. – Ok.A.

31. Twenty One Pilots, “Heathens”

“Heathens” would possibly come from the soundtrack to a DC movie, nevertheless it’s actually a marvel on a number of counts: It’s a radio hit with lyrics sharp sufficient to just about qualify as poetry, and a rap-rock mélange that’s effortlessly melodic and endlessly listenable. — J. Lynch

30. Mike Posner, “I Took a Capsule in Ibiza” (SeeB Remix)

The weirdness of 2016 may be finest encapsulated by Mike Posner incomes his first Scorching 100 high 10 in practically six years — and ending the yr with a Grammy nomination for Tune of the 12 months — for a music lamenting his standing as “a singer who already blew his shot.” That’s due partially to the ability of SeeB’s buoyant, tropical house-flavored remix, however the cautionary story of post-fame and extra drives it house, even because it satirically turned Posner’s greatest hit but. — Ok.R.

29. The Chainsmokers feat. Halsey, “Nearer”

The yr’s longest-running No. 1 on the Scorching 100 was as predictable a smash as they arrive: Completely performed duet drama, an instantly recognizable hook — perhaps a bit too immediately recognizable — and a Blink-182 reference that made each Millennial listening nod with begrudging respect. Overplay would possibly’ve achieved The Chainsmokers and Halsey a short lived disservice, however simply watch for the emotional rush that hits in 2025 once you’re hanging in a lodge bar and listen to this for the primary time in years. — A.U.

28. Frank Ocean, “Nikes”

As the primary music on probably the most highly-anticipated album since D’Angelo re-emerged with Black Messiah, “Nikes” was all the time going to be closely scrutinized — however as a re-introduction, it labored brilliantly. Its first three minutes are delivered in a pitched-up approximation of a kid’s voice, choosing aside the hidden motives behind the needs and needs of his topic with a sweetly-concealed irony, as a musical dreamscape gently glides beneath. It serves nearly as a lullaby of types — which makes the transition to his “actual” voice, arriving immediately for the second verse, that rather more efficient. “Nikes” proved that Frank Ocean was again, and with a complete new set of feelings to get off his chest. — D.R.

27. The xx, “On Maintain”

The xx‘s first single in three years confirmed their once-trandemark minimalism now extending to drum-machine shimmies, New Order guitar twinkles and Corridor & Oates-sampling drops. Jarring for followers nonetheless hoping for a seven-minute model of “Intro,” maybe, however the remainder of us are questioning what took the trio so lengthy to appreciate how nicely their sweetly dueling vocals, fireplace-in-winter sonic heat and impossibly simple intimacy translate to AM gold retro-pop. — A.U.

26. Adele, “Ship My Love (To Your New Lover)”

There are only a few individuals who can document a pregame sing-a-long about bittersweet forgiveness, however “Ship My Love (To Your New Lover)” is only one of many such conflicted turn-ups for the 28-year-old, 10-time Grammy winner. With a jauntiness that feels all too uncooked, Adele nails the steadiness between passive aggression in direction of an undeserving ex (“Ship my like to your new lover/ Deal with her higher”) and unapologetic truth-telling (“I’m providing you with up/ I’m forgiving all of it/ You set me free”) but once more. — S.Ok.

25. Rihanna feat. Drake, “Work”

The mixture of this energy couple not solely delivered a sultry island-influenced monitor, reflective of Rihanna’s Caribbean roots, however an attractive double-video besides, which has garnered practically 800 million views. The music itself reached No. 1 on the Billboard Scorching 100, and remained on the chart for practically 40 weeks, its hypnotic refrain burrowing its means into the yr’s unconscious. — L.H.

24. Desiigner, “Panda”

Visions of a black-and-white BMW X6 sparked Desiigner‘s breakout joyride anthem “Panda.” The Brooklyn upstart’s spazzy, high-octane bars could have required a Genius.com lyric video to decipher, however the power was so contagious that Kanye West needed to faucet the melodic G.O.O.D. Music MC’s smash for his personal zeitgeist-capturing album. Past inflicting widespread use of a wild Snapchat filter and the panda emoji, the rapper born Sidney Royel Selby III scored his first Scorching 100 No. 1 with “Panda,” sitting atop the chart for 2 weeks. — A.P.

23. Beyonce, “Maintain Up”

Beyonce’s Lemonade was designed for memes… and tweets… and gifs. However ask anybody the picture that defines the album, and also you’re prone to see a shot from “Maintain Up”: a serene Queen Bey, clad in couture, smashing up a metropolis avenue. The music itself is equally simple and beautiful: Succinctly, it’s chamber dancehall (Diplo produced); much less succinctly, it collects all the emotions of being wronged by somebody you’re keen on — that are wide-ranging sufficient you want Soulja Boy and The Yeah Yeah Yeahs and Father John Misty and every little thing in between to specific them. It’s the sound of a 95 diploma day the place you’re standing subsequent to a hearth hydrant that Beyonce simply busted open with a baseball bat. — N.W.

22. Shakira feat. Maluma, “Chantaje“

Shakira has, in fact, moved her hips to nice impact prior to now. However swaying them alongside hottie newcomer Maluma has confirmed completely flamable: “Chantaje” not solely entered the Scorching 100, an anomaly for a Spanish-only monitor, nevertheless it’s additionally grow to be the Spanish language video to most rapidly attain over 100 million views on YouTube. Sultry reggaetón with digital touches, “Chantaje” is the sort of monitor that sticks after one hear and makes us work up a sweat within the health club. However let’s be sincere; that video toilet scene doesn’t harm both — who knew urinals might be so attractive? — L.C.

21. Mac Miller feat. Anderson .Paak, “Dang!”

This was the yr that Mac Miller grew up, shedding his former frat-rap persona for that of a delicate younger man in quest of The Divine Female, after years of chasing one thing a lot much less righteous. The album’s first single floats on a jazzy, joyous groove stuffed with handclaps, effervescent bass and Stevie Surprise-esque keyboard squiggles, with an skilled help on the ’70s AM radio hook from .Paak. Who knew Mac’s maturity might really feel this good and sound this nice? — G.Ok.

20. Sia feat. Sean Paul, “Low-cost Thrills”

Sia’s bouncy This Is Performing minimize was a standout on the album previous to its remix, however after Sean Paul put his Midas contact on “Low-cost Thrills,” it turned good as gold — and was finally licensed double-Platinum. Sean’s addition supplied the music with the slight tune-up it wanted, providing a playful twist on the unique monitor’s already dancehall-friendly beat whereas nonetheless honoring the catchy night-out jam Sia whipped up on her personal. — T.Ok.

19. Radiohead, “Burn the Witch”

Radiohead‘s long-awaited return in 2016 got here first through the fraught orchestral rigidity of “Burn the Witch,” whose staccato strings and seething drums supplied as a lot stop-motion drama because the music’s claymation video. “It is a low-flying panic assault,” frontman Thom Yorke croons at medium apprehension, and after twenty years of his band being the standard-bearers for political and social nervousness in rock, he ought to know higher than anybody. — A.U.

18. Kanye West, “Fade”

Even earlier than Teyana Taylor and Iman Shumpert confirmed as much as flip it into an all-time health club basic, “Fade” was one hell of a exercise, stitching collectively samples from Mr. Fingers and The Undisputed Fact right into a runway and dance-floor killer that situated the spiritual raise in romantic paranoia. Supposedly it solely took Kanye and train spotter Ty Dolla $ign 5 minutes to whip up the monitor; they may in all probability make a killing in tutorial movies. — A.U.

17. Calvin Harris feat. Rihanna, “This Is What You Got here For”

The mixture of Calvin Harris and Rihanna is about as surefire because it will get in pop music, beginning with the Scorching 100-besting “We Discovered Love” in 2011, adopted to the highest 10 a yr later with “The place Have You Been,” and pushed house with this newest beguiling mega-collab, which peaked at No. 3 in August. The idea of being desired by probably the most fascinating girl within the room (“Everyone’s watching her, however she’s you”) is one we’re guessing Harris can relate to, given his historical past with pop celebrity Taylor Swift — who occurs to be a, uh, good pal of co-writer Nils Sjoberg. — Ok.A.

16. Younger M.A, “OOOUUU”

New York Metropolis’s most infectiously viral hip-hop monitor since Bobby Shmurda exploded out of Flatbush got here from an unknown commodity from Brooklyn named Younger M.A, whose sneering rhymes and easy-to-follow circulation had “OOOUUU” blasting from automotive audio system and filling membership dance flooring all summer season lengthy. With endlessly quotable bars laid over a deceptively easy beat, the help of the Metropolis’s native radio stations and the kind of singular character in direction of which followers have flocked, Younger M.A. and “OOOUUU” introduced the phrase “headphanie” to ubiquity — and to the highest 20 of the Scorching 100. — D.R.

15. Maren Morris, “My Church”

Speak about discovering your faith: On this simple singalong, nation’s hottest newcome of 2016 takes us to church through this love letter to driving with the home windows down, whereas nation radio preaches to your solo choir. Fittingly, it navigated Billboard’s Nation Airplay chart for 22 weeks, even incomes Maren Morris a visit to the highest 10. Not a nasty blessing in your first major-label single. — C.P.

14. Beyonce, “Formation”

“You understand you that bitch once you begin all this dialog.” Um, yeah — not that we ever had trigger to query The Queen’s means to maintain the dialog transferring, however “Formation” did it with samples from Messy Mia and Huge Freedia, a music video with Hurricane Katrina footage and Black Lives Matter graffiti, a Black Panther-tributing Tremendous Bowl efficiency, and a Pink Lobster shoutout the whole chain might be nonetheless drunkenly celebrating. Merely put, Beyonce slayed — with a nearly free-form single whose boingy synths and call-to-arms catchphrasing nonetheless rendering it catchier than most radio hits — and the remainder of us spent 2016 studying, writing and raving about it. — A.U.

13. Likelihood the Rapper feat. 2 Chainz & Lil Wayne, “No Downside”

Likelihood The Rapper made his resistance to label offers crystal clear with the spunky jam “No Downside,” with the assistance of two Chainz and Lil Wayne — the latter a very applicable visitor given his woes with Birdman’s Money Cash Information. The jubilant monitor — which secured the No. 1 spot on each the R&B/Hip-Hop Airplay and Mainstream R&B/Hip-Hop charts — additionally featured Web star HaHa Davis, who units the tone early with the opening line “You don’t need zero issues, massive fella.” The only additionally appeared on Likelihood’s streaming-exclusive set Coloring E book, the primary mission to be eligible and consequently nominated for Grammy Awards, proving to the majors simply how unstoppable Likelihood actually is. — A.P.

12. Solange, “Cranes within the Sky”

Put up-adolescent angst has not often been as fairly as Solange makes it sound on this delicate, lilting single — which you’re as prone to hear on Scorching 97 as at your native espresso store. An orchestral beat from Raphael Saadiq helps the music’s lyrical quest for serenity, making a type of musical protected area for the gorgeous, uncluttered respite that Solange spends the only desperately trying to find. — N.W.

11. Troye Sivan, “YOUTH”

With a voice that also bears a refined crack between his alluring decrease and craving higher registers, Troye Sivan was pop’s man-child of the yr: a star who appeared each absolutely prepared for his second and intriguingly incomplete. Within the first line of this synth-pop gem — “What if we ran away? What if we left at the moment? What if we stated goodbye to protected and sound?” — Sivan framed himself because the ardent romantic each girls and boys would need: susceptible, courageous, reliable, idealistic. The refrain, with its repeated “MY YOUTH,” feels like a mantra for Millennials, however because it builds to an ecstatic electro climax, it turns into the sort of dance-floor magnet even listeners who’ve already left their 20s couldn’t resist. — R.M.

10. A Tribe Known as Quest, “We the Individuals…”

Who would’ve guessed that in a yr the place Public Enemy connected with Rage In opposition to the Machine for the last word power-fighting supergroup, it will be a reunited Tribe Known as Quest who’d ship the best protest music from hip-hop’s golden class? From the intelligent (however not too intelligent) Black Sabbath pattern and spare, old-school beat to lyrics about bald-faced racial and spiritual bigotry and deportation threats, “We the Individuals” immediately turned the nationwide anthem of the anti-Trump nation. “All you black people, you should go/ All you Mexicans you should go… Muslims and gays, boy we hate your methods,” Q-Tip mews on the refrain, (barely) parodying the feelings of our future president. Who can come again years later and nonetheless hit the shot? These guys, clearly. — G.Ok.

9. Rihanna, “Wanted Me”

We already knew that Rihanna was a savage — her supreme self-confidence and whole lack of f—s to present have made that abundantly clear through the years. However in case you missed the memo, “Wanted Me” is the right reminder, pairing nihilistic razor-sharp lyrical barbs with a bass-heavy down-tempo beat that might nearly be confused with a pained love music — however provided that you weren’t paying consideration. The best way she eviscerates a former lover (“Don’t get it twisted / You was simply one other n—a on the hit checklist”) is delivered so casually and with a lot barely-concealed contempt that it will probably’t even be known as cocky; she’s simply stating the reality, and when you haven’t caught on by now there’s no hope left for catching up. — D.R.

8. Fifth Concord feat. Ty Dolla $ign, “Work From Dwelling”

Fifth Concord’s follow-up to its 2015 debut Reflection was all the time going to function a maturation of sound and substance, and the truth that sophomore LP 7/27‘s lead single is full of sexual innuendos (whereas not dropping any specific language) was a logical development that pop followers noticed coming a mile away. However “Work From Dwelling” is rather more than cheeky strains about “Ain’t no getting off early!” — the vocal performances from the quintet are extremely poised, promoting each wink and come-on with a confidence in idea that was lacking from the group’s debut. Mixed with a pumping refrain that sounds particularly designed for spin lessons, and Ty Dolla $ign in full goofball mode on his visitor verse (together with the world’s most dramatic crooning of the phrase “timesheet”), “Work From Dwelling” places in further hours to showcase 5H’s collective attraction, and the place they’re heading as grownup artists. — J. Lipshutz

7. Drake feat. Kyla & WizKid, “One Dance”

“One Dance” earned Drake his long-awaited first No. 1 as a lead artist on the Billboard Scorching 100; and the music comfortably sat atop the charts for 10 weeks, most of which whereas mother or father LP Views was nonetheless in residence on the Billboard 200’s peak. With a molasses-sweet-and-slow Kyla hook (lifted from her personal “Do You Thoughts?”) and a bouncing, piano-led dancehall groove so hypnotic not even a midsong spherical of gunfire might break its spell, the tropical monitor served as an infinitely repeatable summer season jam. “You understand that I don’t play,” Drake sings, and the hit’s success makes him irrefutable. — L.H.

6. Ariana Grande, “Into You”

Ariana Grande’s Harmful Girl is rife with provocative lyrics, however the album’s second single feels just like the sexiest monitor of all of them, due to its seductive bass and the 23-year-old singer’s alluring vocals. Even aside from than the Elvis (or Fall Out Boy?)-borrowed “rather less dialog and a bit extra contact my physique” refrain, although, the lyrics are refined of their raciness, merely teasing on the high quality time to return together with her desired object, slightly than heading straight for the bed room. And even when you don’t wish to observe her up there, “Into You” is catchy and propulsive sufficient to work simply as nicely on the dance ground. — T.W.

5. Kanye West, “Ultralight Beam”

Earlier than The Life Of Pablo dropped — again when it was known as Swish, or perhaps Waves — Kanye stated he was making a gospel album. Given Mr. West’s penchant for hyperbole, individuals scoffed; then, on February 11, he opened his listening celebration/style present at Madison Sq. Backyard with a pattern of a viral video of a four-year-old speaking about God. Then a lone synth, then The-Dream, then Kanye, praying. The music constructed, however the climaxes didn’t come from West himself — as a substitute, he receded into the background as Kelly Worth, Likelihood The Rapper, and Kirk Franklin supplied spine-tingling sermons in flip.

In a yr when every little thing seems to be coming aside on the seams, Kanye supplied neighborhood, togetherness and hope — a musical assertion utterly in opposition to many of the yr’s politics, regardless of his acknowledged affinity for the president-elect. Hopefully in 2017 he’ll return to pursuing change we are able to consider in — like most of his’s finest songs, this sounds nothing like a Kanye music — and let artists all over the place maintain feeling like Likelihood: “I met Kanye West, I’m by no means going to fail.” — N.W.

4. The Weeknd feat. Daft Punk, “Starboy”

Centric pop with frayed edges has been the M.O. for The Weeknd ever since he first signed on to the 50 Shades of Gray soundtrack, and “Starboy” proves the fruits and certain finish of that components. With Daft Punk in tow to supply sighing background vocals and sometimes drift the music’s manufacturing dangerously near out of body, the spellbinding night-drive assumes Abel Tesfaye’s new alternate identification with the boldness of a star sufficiently big to dictate his personal nicknames: Even the opening strains (“I’m tryna put you within the worst temper, ah / P1 cleaner than your church footwear, ah”) barely trouble setting the scene, because you bear in mind the place the film final left off. “Starboy” won’t’ve been titled to function a Ziggy Stardust tribute, nevertheless it displays how, like Bowie, Tesfaye understands the significance of fixed evolution in each his music and his picture. When he reveals up in a white go well with doing Ok-Ci and JoJo covers on his subsequent album, attempt to act stunned. — A.U.

3. D.R.A.M. feat. Lil Yachty, “Broccoli”

Go away it to Huge Child D.R.A.M. to make his high 40 entrance with a music that turns probably the most villainous of parent-food right into a narcos watchword, and depart it to Lil Boat to one-up that by rhyming “sunshine” with “Colombine” in his visitor verse’s opening couplet. That was “Broccoli” in 2016: R-rated programming on daytime tv, a music that embraced the world’s negativity as a chance to rise above the fuck shit. The co-headliners spend their verses celebrating their unlikely success with Rodeo Drive buying sprees and lox-and-bagel breakfasts, whereas the flute hook instructs the youth of America to observe the duo’s pied (and in any other case) piping. The lesson, clearly: Smoke your greens, children. — A.U.

2. Beyonce, “Sorry”

Between “Inform ’em boy bye” memes and the “Becky with the nice hair” witchhunt, Beyonce’s “Sorry” ignited extra on-line chatter than most non-Trump political campaigns this yr. However extra importantly, Beyonce executes one miraculous vocal tonal shift after one other on “Sorry,” going from pissed-off exasperation to dignity at any price (“Suicide earlier than you see this tear”), to small-voiced vulnerability on the very finish. On “Sorry,” Beyonce proves your life doesn’t must be excellent so that you can stay flawless. — J. Lynch

1. Rae Sremmurd feat. Gucci Mane, “Black Beatles”

To say we wanted a music like “Black Beatles” on the finish of 2016 can be a “Hey Jude”-sized understatement: With the charts stagnant, the surprise-release schedule slowing down and the actual world desperately needing distraction, High 40 was begging for any sort of Invasion. That it got here from Atlanta made as a lot sense as wherever; years of rapturous reception on the Web and hip-hop radio to native cult heroes like Future, Younger Thug, and sure, no-flexing duo Rae Sremmurd, was certain to culminate with one smash crossing over to all ranges of mainstream America. It’d be a music bleeding with uncooked underground power and youthful vitality, with hooks sufficient to co-exist alongside Drake and The Chainsmokers within the pop stratosphere. And within the spectral hopscotch of “Black Beatles” — that includes the joint blessings of ATL aural architect Mike WiLL Made-It and godfather MC Gucci Mane — we lastly had the music.

An intoxicating mixture of futuristic manufacturing and retro cultural references that someway balanced out to sound extra like the current than another music this yr, “Black Beatles” was a landing earlier than it even bought to its immediately iconic opening strains, and simply ran up the rating from there, profitable extra hearts with each meme and Fab 4 reference. After all, the rise of “Beatles”-mania occurred as quickly because it did because of the Model Problem, the hyper-viral Web phenomenon that tailored the music as its unofficial freeze-frame soundtrack, bringing it to the eye of everybody from Michelle Obama to Paul McCartney himself. However the music’s rock-star exuberance and mesmeric sonic palette would’ve finally seen its momentum snowball to viral proportions regardless. In the long run, the swag you are taking is the same as the swag you make. — A.U.

Take heed to Billboard’s Spotify playlist of our High 100 Pop Songs of 2016 under!

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