[Angels in Aotearoa]
Programming a graduate show for an acting program is no easy feat. It requires finding the perfect balance between the roles needed, a suitable showcase, and a compelling narrative. In a bold move, The Actors’ Program commissioned a brand new work by Auckland playwright Sam Brooks to round off an already impressive year. Collaborating with director Sam Snedden, who’s previously delivered outstanding performances in “Twenty Eight Millimetres” and “Burn Her,” they have created one of their finest graduate shows yet.
Jacinda is set against the backdrop of the 2017 NZ General Election. It dives into the lives of multiple characters, each impacted by the pressures of the impending results. The storylines within the play have the vast scope and range of a Hollywood ensemble drama, all taking place on our familiar shores.
Contrary to what the title may suggest, the play isn’t overly didactic. Although our current Prime Minister serves as a symbol within the play’s expansive landscape, it is ultimately a piece about people rather than politics. It explores how politics influences their lives, whether they are aware of it or not.
In the first half of the play, as we navigate between the ensemble cast, the exposition is unavoidable. However, the delicate balancing act is masterfully handled. It starts as a slow burn but rewards the audience with satisfying and believable character arcs. The scale of the production is impressive, featuring a cast of sixteen actors, all within a runtime of under three hours. Brooks’ writing is sharp and witty, although the repartee and comebacks can feel diluted when spread across so many characters. Nonetheless, every actor feels perfectly suited for their role and does them justice.
Standout performances include Ruby Hansen’s portrayal of a potentially jobless politician, Jared Hill’s sympathetic David Seymour, Erin O’Flaherty’s pregnant teenager, and Renaye Tamati’s ex-mayoral assistant. Notably, these characters have the highest stakes and seamlessly intertwine with the play’s central storyline.
The play’s throughline is embodied by the physical manifestations of The State, The Nation, and The Land. Adeline Shaddick, Mirabai Pease, and Jen Huang brilliantly deliver a delicate balance of parody and sincerity in their performances. This touch of magical realism pays homage to Tony Kushner’s seminal work, Angels in America, which is acknowledged as a clear influence on the play.
After intermission, the play fully embraces its fantastical elements, reminiscent of Perestroika from Angels in America. The narrative skillfully merges the realms of the real and the unreal, resulting in a deliciously satisfying plea against complacency and a mournful critique of colonialism. While the ending may tie things up a little too neatly with a deus ex machina-like plot device, it never undermines the characters’ arduous journey of confronting their personal values in an ever-changing political world. Audiences are likely to resonate with many of the struggles portrayed on stage.
It’s worth mentioning the exceptional design work by Micheal McCabe. The deconstructed office space he creates is highly efficient and utilitarian, seamlessly transitioning between multiple spaces without unnecessary set changes. Despite being a relatively new theatre designer, his contributions over the past year are noteworthy and serve as a testament to his talent, alongside that of the actors.
It is a privilege to witness a playwright like Sam Brooks venture into new and exciting directions. While “Burn Her” showcases his mastery of taut and tense storytelling, “Jacinda” proves to be the more resonant and ambitious piece. It is a work full of wisdom, humor, and heart.
As a snapshot of a country in constant flux, “Jacinda” is both a criticism and a love letter to New Zealand. It proposes hope as the antidote to our dark and cynical times, rather than blind optimism. Don’t miss the opportunity to experience this thought-provoking play.
Jacinda is presented by The Actors’ Program and is currently running at the Basement Theatre until November 24th.